Neil Corman Photography

As I approached the Museum of Liverpool with overcast skies I was immediately taken in with the exterior of the building and how well it worked along the River Mersey. I first went into the building to learn more about Liverpool itself prior to photographing the building with the many angles it provided. For this image I zoomed into the building and let the lines take control of the image with the repeating lines and patterns throughout the image.

Images: Museum of Liverpool Exterior

For a few days I was staying near the Prudential Center in Boston and was intrigued by the facade of the building. Just before leaving town I used a long lens to zoom into the building and catch the details of the patterns which is on this currently second tallest building in Boston. From street level I positioned some of the non-repeating detail into the upper section of the frame and captured this image of the building.

Images: Prudential Center in Boston

As I was walking along the Freedom Trail in Boston I looked down a small side street and noticed the facade of the Post Office in Boston. The narrow street with a slight curve allowed me to get a great perspective of the lines on this building. I almost kept walking past the building but decided to stop and capture an image of the building itself. With the long lines, I choose to photograph this as a vertical allowing the viewer to get the sense of scale of this building built in the 1930’s.

Prints: Boston Post Office Exterior

The detail you find in a church is quite remarkable. In telling the story of historic architecture is it the greater scene you should capture or the specific detail you find in the building itself. In visiting the Abbey in Bath, UK it was the detail which drew my eye as it was so detailed and telling of the story. Using a longer lens you can get that fine detail in the ceiling or other parts of the building as you walk around looking at this detail and wonder how this was constructed so many years ago.

Prints: Details at the Abbey

Using along lens to get close to the scene is something I have done in the past, especially when standing on the edge of a river and you can’t get much closer. On this day I spotted the water rushing over a rock and set-up my tripod so I could capture a longer exposure. Zooming into the scene and using a exposure which is longer then what you can handhold I was able to capture the motion of the water as it made its way over the rock and further down the river.

Prints: River Runs through Montana

As I was standing along the boardwalk in Juneau, Alaska I noticed the piers under a section of walkway and how the evening light was lighting them up a little from their normally dark place. Initially I took some images of the scene, but after a little while I moved to a longer exposure length and slowly moved the camera in a vertical direction which match the primary direction of the wood pilings. The result of this movement is the look of the pilings in this photograph as well as a smoothing of the water of the Gastineau Channel below.

Prints: Under the Boardwalk

It is always fun to not only watch fireworks but also photograph them, especially as you will not know what to expect during the show. On this evening capturing some fireworks over Coors Field, it is always good to determine if you want to just capture the displays in the sky or also an element in the foreground. Based on this decision it will really determine where you will photograph the fireworks from and also what type of lens length will be best. For a scene like this a longer lens (telephoto) works best since it lets you get close to the fireworks and capture their detail.